Slinky Classics 3D!
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Nukleuz Records announce the launch of their hugely anticipated Podcast series, bringing you the most upfront anthems, bonus bootlegs as well as cult classics from some of Dance music’s biggest DJs, artists and producers. Split over 3 of the label’s leading genres, “Trance, Hard Dance and Hardcore.” Each genre specific Podcast will be made available
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It’s that time of year again when you get the chance to choose your fav Hard Dance DJ, producer, label or event. Everyone at Nukleuz HQ has already got their votes in (Nukleuz as favourite record label? Would we be so obvious!), and whether your a BK fan, lover of Andy Whitby or a Frantic regular now is the time to make yourself known.
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Nukleuz: A Decade of Dance Mayhem – Year 2000-2010 To celebrate the start of Teenies (hopefully someone will come up with a better name than this) we look back over the past decade of Nukleuz’s CDs, vinyls, releases, history and events and the dance mayhem created in a string of year by year articles! 2000
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Nukleuz: A Decade of Dance Mayhem – Year 2009 Kicking off the year Nukleuz unleashed what they considered to be the strongest Hardcore album they had ever put together, Hardcore Nation 2009 with the backing of EMI / Virgin and access to their huge back catalogue of dance classics for exclusive remixes! However, with a
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Nukleuz: A Decade of Dance Mayhem – Year 2008 2008: The final death throes of 12″ and CD. We had moved our distribution to Pinnacle, the country’s largest independent distributor but by the end of the year that had too gone bankrupt taking all the the labels that moved to it from Amato with it.
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Nukleuz: A Decade of Dance Mayhem – Year 2007 2007: Amato and the final death of vinyl. This was the year that dance music in the UK had one of its greatest disasters. Amato Distribution, ours and most of the major dance labels distributers, went bankrupt. The original owner, Mario, had sold it the year
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Nukleuz: A Decade of Dance Mayhem – Year 2006 2006 was probably the last year of Nukleuz releasing lots of Hard House. The whole scene had contracted into a much smaller fan base and the hey days of Hard House mania were long gone. Like all genres it had found a passionate core audience and
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